Authors

16mo; inscribed on half-title and front and rear endpapers by Annie Maria Harris née Armitt; colour illustrations throughout, one leaf with vertical crease to right-hand side; publisher's green boards with inset rectangular panel to upper cover, pictorial endpapers, front free endpaper rubbed with slight surface loss to fore-margin, spine faded.

Facsimile manuscript, number 474 of a limited edition of 500 copies; 12mo (154 x 91 mm, 6 x 3½ in); 8 colour illustrations tipped-in, 2 black-and-white illustrations tipped-in; gilt-ruled straight-grained dark green morocco, marbled edges, marbled endpapers, slipcase with gilt-stamped design to upper board, near-mint condition.

First edition, first or second printing, deluxe issue; 16mo; 27 colour plates, plain title vignette and colour pictorial endpapers by Beatrix Potter, 2 plates with superficial loss due to adhesion to facing pages, frontispiece lightly touched up to blank recto where cracking slightly, red run from cloth affecting fore-edge and lower fore-corner of most ff., with further impact to preliminary leaves, some other light soiling and finger-marking; publisher's lilac cloth with decorative gilt to design by Beatrix Potter, with inset colour illustration to upper cover, recased with hinges reinforced internally, some damp mottling and rubbing, presented in later cloth solander box.

First edition, deluxe issue, third printing; 16mo; 27 colour plates, plain title vignette and colour pictorial endpapers by Beatrix Potter, small ink name to front free endpaper, overall internally very good; publisher's russet cloth with decorative gilt to design by Beatrix Potter, with inset colour illustration to upper cover, a little rubbing to corner-tips with fore-corners turning in ever so slightly, but overall an unusually good example, gilt edges.

First edition, first issue, [one of 500 copies]; 16mo; 16 colour plates by the author, one plate with pencil initials or flourish beneath, internally excellent, original pink boards lettered and illustrated in black with rounded spine, a superb copy.

First trade edition, later impression with double endpapers rather than repeated single sheets; 16mo; frontispiece and 26 full colour plates, small, faint pencil marking to corner of upper front-free endpaper, otherwise fine: publisher's maroon boards, illustrated pastedown to fielded panel on upper board, two small superficial scratches to upper board, some fading to spine, nonetheless a near-fine copy.

First edition thus, number XXI of XXV hors commerce copies, from an overall limitation of 250 copies; 16mo; comprising printed introductory booklet signed & numbered in pencil by Maurice Sendak, with additional pencil signature of printing historian Iain Bain, in original printed wrappers, 34 line block illustrations printed in brown ink on Arches paper, each with pencil limitation details and printed monogram of Alecto Historical Editions on verso, with tissue guard, each loose in separate printed card sleeve; together housed in original cloth drop-back box with inset illustration on upper cover and gilt label on spine, a fine copy.

First trade edition, first issue with date on title-page and a single-page endpaper repeated four times; 16mo; 27 full-page colour illustrations, title vignette and pictorial endpapers by the author; publisher's dark green boards with inset colour illustration, presented in later cloth solander box.

First edition, one of 100 numbered copies; 16mo (138 x 108 mm.); usual light browning to free endpapers; publisher's green cloth, dust-jacket, an excellent copy.

First Edition. 16mo, 94 pp., title vignette, 15 colour plates and numerous black and white vignettes within text, modern full tan morocco, gilt, original pictorial pastedown to upper cover, green lettering piece to spine, original pictorial endpapers and all edges gilt; small mark to lower outside corner of p.7 otherwise internally very good indeed.