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Limited Editions

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  1. Number XVI of XXV special copies with 4 additional prints and signed by the artist, Patrick Procktor, from an edition limited to 14; 4to (360 x 285 mm); aquatint portrait and 11 plates, some printed in colours, the additional aquatints all numbered & signed in pencil and loose in pocket at end, loose tissue-guards (as published); publisher's black morocco-backed blue-grey morocco, by Sangorski & Sutcliffe, upper cover blocked with gilt albatross and ship at sea, spine titled in gilt, uncut, very slight fading to spine, otherwise a fine copy, original marbled board slip-case.

  2. First edition, one of 150 copies only; large 8vo (268 x 175 mm.); 5 plates by Charles Ricketts, internally very good; original burgundy morocco, elaborately ruled & blocked in gilt to a design by Ricketts, with his monogram to the foot of upper & lower panel, a little rubbed at spine-ends, but really an exceptional copy, top edge gilt, others uncut.

  3. One of 750 copies; 8vo; title-page and colophon printed in red & black with devices; publisher's blue boards, lettered in black directly to spine, a little very light marking, but overall a near fine, sharp copy, uncut.

  4. number 493 of 525 copies, this one of the special copies bound in full morocco, inscribed presentation copy from the author/artist; folio; printed in black, red & blue, pictorial half-title, frontispiece, additional pictorial title, letterpress title with vignette device, black & white illustrations throughout, including full-page, gilt pictorial endpapers, bookseller's small sticker to verso of front free endpaper; original full blue morocco, gilt rule edged, gilt silhouette design to upper cover, spine lettered in gilt, spine very slightly dulled, but really a fine example, gilt edges, marbled board slip-case.

  5. Number 78 of 111 signed copies for presentation; small 4to; signed by Hecht on the colophon; original limp vellum by the American Book Bindery, some rippling, overall very good, original slip-case, slightly toned and rubbed; [4], 111, [1] pp.

  6. Limited to 215 copies, this copy unnumbered; 4to, (310 x 310 mm); printed on J. Barcham Green's handmade paper, 32 coloured pochoir plates and illustrations by Paul Nash; publisher's vellum from a design by Paul Nash by Sangorski & Sutcliffe, with brown morocco onlays and gilt-blocked quincunx on boards, gilt edges, original fleece-lined buckram slipcase.

  7. Limited edition numbered no 19 of 95 on papier Impérial Japon (total number of copies 475); folio (37 x 29 cm), 312 pp, signed by both the author and the illustrator on half title, one manuscript letter by the illustrator and a manuscript poem from the author inserted loose before half title, interleaved pages of various sizes, 28 plates in five colours with 28 additional black and white plates at the rear; bound in contemporary brown calf, art deco style spine with gilt lettering and flower design, slight wear on spine, overall a fine copy.

  8. limited edtion, number 17 of 20 hors commerce, out of a total of 160 copies, 4 vols; 4to (31.5 x 26.5 cm). 276 pp.; 272 pp. with 15 colour plates, including frontispiece, and 15 chapter heading vignette illustrations and initials, all cut in wood and printed in colour by F. L. Schmied with 15 supplementary plates not called for in index and two extra suites of all the illustrations, one in colour, one in monochrome; original wrappers protected by chemises and slipcase; slipcase slightly rubbed, with one joint starting to split.

  9. Limited to 525 copies signed by the Author; tall 4to; black & white plates and illustrations by Flint, page headings printed in red, first capital of each paragraph in blue; publisher's half morocco over white cloth with silhouette decoration, original slip-case, near-fine.

  10. Limited edition of 200 sets, this one not numbered, 16mo. 155 by 110mm (6 by 4¼ inches), 39 volumes, engraved illustrated title-pages, frontispieces, half-title vignettes and further full-page plates by Byam Shaw, printed on 'Japanese vellum'*, publisher's vellum-backed cream buckram gilt, spines age toned (some more than others), occasional marks and light surface soiling to buckram, internally toned but very clean indeed, a few pages still unopened, in all a very good and highly attractive set of this illusive edition.
    * Vellum: a type of smooth paper.

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