Fine Bindings

8vo (205 x 155 mm); illustrated as detailed above; modern half crimson morocco over red cloth, gilt spine, marbled endpapers and top edge gilt.

First edition, one of 150 copies only; large 8vo (268 x 175 mm.); 5 plates by Charles Ricketts, internally very good; original burgundy morocco, elaborately ruled & blocked in gilt to a design by Ricketts, with his monogram to the foot of upper & lower panel, a little rubbed at spine-ends, but really an exceptional copy, top edge gilt, others uncut.

First editions, 5 vols, 12mo (12.3 x 8.4 cm); 31 colour pochoir lithograph plates, illustrations in the text; original pictorial satin over Bodoni boards with pictorial dust-wrappers, original decorated slipcases, some age-toning to dust wrappers but otherwise very attractive copies.

First collected edition; 14 volumes, 8vo; one of 80 sets printed on Japanese papier velin; publisher's cream vellum, gilt decorative devices to front panels by Charles Ricketts, yapp edges, top edges gilt, 13 volumes have the imprint of Methuen & Co., and one, The Picture of Dorian Gray, has the imprint of Charles Carrington, Paris (as called for), usual mild wrinkling to most paste-downs, covers mildly toned, some volumes with minor glue reaction (both points usual with vellum bindings), otherwise exceptionally fine internally and externally. Height: 21 cm Overall width of set: 50 cm

[Together with], For Love of the King: A Burmese Masque. Methuen issued this work in 1922, intending it to be a supplementary volume to the above set but never issued in vellum; printed on hand-made paper and limited to 1000 copies only; publisher's cream cloth, browning to spine and edges, dust-jacket with some expert archival repairs to the interior of the folds, Ex-libris Frederick Spiegelberg (name plate on front paste-down) as well as Gertrude & Edward A. Strauss (bookplate on front paste-down), previous bookseller's label on rear paste-down, a very good copy.

Limited edition number 85 of 106 specially-bound copies on hand-made paper and signed by the artist, Granville-Barker and Rutherston, from an total edition of 606; 4to; colour plates by Charles Ricketts, printed at the Shakespeare Head Press of Stratford-upon-Avon; publisher's brown morocco with elaborate strapwork panels in gilt, by Zaehnsdorf, spine gilt, top edge gilt, others untrimmed, a little rubbed at extremities, joints starting but sound, small dent to rear board, otherwise very good-plus; lix, [blank], 84, [1]pp.

Quarto (300 x 225 mm.); 20 splendid tipped-in colour plates by Umberto Brunelleschi, illustrations, decorative title in blue & brown and borders in blue; bound in dark blue morocco, by Stikeman & Co. of New York, covers with gilt-ruled borders and corner-pieces, spine gilt in compartments with five raised bands, grey morocco doublures ruled and tooled in gilt with small purple morocco onlays, cream moiré silk flyleaves, signed at foot of rear turn-in, top edge gilt, others uncut, original decorative upper wrapper bound in at end, very slight wear to head of spine, slip-case (a little rubbed).

2 volumes, Folio(44 x 35 cm), each consisting of 2 leaves, printed entirely on vellum within fancy gilt borders, each with respective coat-of-arms to head, original red (and green) straight-grained morocco gilt, both volumes signed by the respective Clerks to the House, with a hand-written letter from Lord Kitchener to Colonel Long.

2 volumes in one, landscape folio (26 x 35.2 cm). Text in French and English. Engraved dedication to Queen Charlotte, general map of Italy and 72 engraved plates by J. Emes, W. Byrne and others after Smith, contemporary straight-grained crimson morocco gilt, gilt edges. Mainly marginal spotting to plates, some browning of text, table of plates misbound at end, a very handsome example.

Large 4to (29 x 21.5 cm). Half title, wood engraved portrait frontispiece, title, preface, 550, [1] pp., one folding map and 2 plans with printed tissue guards, 4 chromolithograph plates with printed tissue guards and 197 wood engravings in text after various artists, including 37 full- and double-page; slight browning at beginning and end. Original red morocco-backed cloth bound by Engel, richly gilt and tooled by Paul Souze after a design by A. Giraldon, all edges gilt, marbled endpapers, blue silk bookmark.