Private Press & Fine Printing

Limited edition, one of 350 examples on verge, from a total edition of 358; 8vo, (20.4 x 14 cm); woodcut frontispiece and initials after Edward Burne-Jones, printed in black and red; finely bound in green morocco by Leonard Mounteney, elaborate gilt tooling and red morocco flowers, spine in five parts with raised bands, corresponding flower design and title in gilt, rose-coloured watered silk doublures and flyleaves, top edge gilt, enclosed in patterned paper board slipcase, spine slightly faded, an excellent example.

[One of 500 copies]; 8vo; printed in Golden type throughout with numbers printed in red, elaborate wood-engraved title-page and facing page with border & initial, further woodcut initials and border decorations, internally a fine copy; original limp vellum, lacking the actual ties, but otherwise a fine example, in the original gilt-lettered board slip-case; housed in later morocco-backed cockerel papered board solander.

One of 300 copies; 12mo; printed in black & red, woodcut illustration and device; publisher's powder blue boards with printed title label to spine and upper cover, spine slightly toned, overall very good.

One of 125 copies on vellum, this unnumbered assumed out-of-series; 8vo; hand-coloured frontispiece by Paul Woodroffe, hand-coloured vignette to colophon, coloured initials, errata printed in red & black, tissue guards; original blind-tooled vellum with 'Soul is Form' rose device to upper cover and lettered in gilt to spine, some slight rubbing and dust-soiling; housed in later morocco-backed cockerel papered board solander.

Number 100 of 200 copies, from an overall limitation of 204; 8vo; 3 full-page illustrations by Reginald Savage, 2 with loose tissue guards, bookseller's small sticker to foot of front pastedown, unopened; original cloth-backed boards, printed title label to upper cover and spine, spine slightly browned, slightly splayed, uncut.