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Concertina-style miniature prayerbook, illuminated manuscript in Arabic, complete, 16 conjoined leaves, 48 by 48 mm; numerous illustrations including images of the holy sites of Mecca and Medina, attributions to Prophet Muhammad through depictions of his hand prints, foot prints, and his Seal of Prophecy, with further illustrations pertaining to the other prophets such as the sword of 'Ali, all heightened in gilt, versos and outer boards backed in contemporary marbled paper.

Single volume, decorated manuscript on western imported paper, from a mixed stock including the watermark of a crescent moon in a shield and the letters 'EIV', in Arabic, complete, 124 leaves, 255 by 180 mm; single column, 16 lines informal cursive script in black with headings and important words in red, catch-words throughout, numerous contemporary and later marginal inscriptions, some light staining (as often), some gatherings becoming loose; contemporary provincial binding of strips of leather over wooden boards with flap, worn with sections of leather missing.

Illuminated manuscript on paper, in Arabic, containing the first 7 aya of the first surah of the Qur'an (al-Fatihah 1:1 - 1:7), 490 by 380 mm.; single column, 5 lines large scribal nasta'liq diagonally inscribed, outlined in cloud shapes and set against an elaborately illuminated gold background decorated with intricately illustrated spiralling floral patterns with polychrome colour additions, lower right-hand corner containing the scribe's name and date of completion, panel framed within multiple polychrome and gilt rulings, including a banner formed of multiple gold cartouches in Safavid style of illumination; very clean and bright condition; leaf mounted to thick card.

Illuminated manuscript, in Arabic, on paper, 142 leaves (plus 5 contemporary leaves at the front and an additional 3 at the end of the volume) containing the forty poems preceded by two additional du'a and also including a contemporary fihrist at the end of the volume, 260 by 165 mm.; in two or four columns, 12 lines confident scribal and angular black naskh, most leaves with contemporary catch-words, contemporary foliation (corresponding to the fihrist) in red, 48 illuminated polychrome headings and decorated banners to open each of the sections, most of these heightened in gilt or silver, ruling throughout in gilt, some contemporary marginalia and corrections, preliminary and penultimate leaves with contemporary annotations and export stamps from Iran dated 1311 AS; some faint scattered stains, occasional chips or creases to outer edges of leaves, a few early paper repairs to outer edges (not affecting main body of text), overall very bright and attractive condition; housed in fine leather-backed lacquered boards, cut-out medallions with filigree details to covers deep-set with red and gold floral devices set against a striking black background accented by gilt corner pieces and a double-ruled border, outer corners and extremities slightly chipped with fractional loss to pigment, small tear to leather along spine.

First edition; 2 vols, oblong folio (330 x 260mm, 13 x 10 1/8 in); orchestral score with libretto in Italian and German, vol. I with additional engraved vignette title by Bolt after Kinninger (foxed) of the supper scene between Commendatore and Don Giovanni, printed title with attractive ink presentation to upper corner margin, dated 1877) and 2 following pp. of text, engraved musical score 6-292pp, vol. II with printed title and engraved musical score 294-590pp, with separate printed divisional title 'Anhang von spaeter eingelegten Stuecken', some sporadic light foxing and minor staining, mostly to final leaf of vol. I, some leaves trimmed at upper edge with loss to pagination in vol.2 but in the main clean and bright; modern diced calf, upper covers lettered in gilt, marbled endpapers and edges, most attractive.

4to (285 x 230 mm); engraved vignette title with portrait of John Gay, Table of the Songs, Dramatis Personne 1777, Introduction, the playscript, and music score with libretto, toned, a few random spots or marks, otherwise very good; later full polished calf, scuffed, marked and bumped but very sound.

First U.S. edition; 8vo; inscribed by the playwright on front free endpaper; publisher's taupe cloth, dust-jacket, lightly dust-soiled, chips, creases and short tears to extremities, the latter mostly to spine ends, otherwise internally fine.

First edition; small 4to (205 x 205 mm.); frontispiece and illustrations; publisher's red cloth, dust-jacket, a very good copy.

Caruso seated with right hand holding cigarette and leaning on cane, signed boldly and diagonally upwards, 85 x 140mm (3 1/4 x 5 1/2 ins), mounted, 240 x 1295 mm (9 1/2 x 11 1/2 ins), near-fine.

4to., xxiii (1), 123 pp. the odd, random spot, neat ink presentation to margin of half-title, otherwise fine, publisher's quarter vellum over read cloth gilt, top edge stained red, fore-edge a little spotted but not weeping to leaves, otherwise and very crisp and bright.